“My methodology of making art is exploratory in nature. It deals with the direct manipulation of materials and processes. My vessel or sculptural forms are elegant and classical. The surface painting, drawing, and textural treatment on the other hand, is out of the Abstract Expressionist and Post Modernist Schools. I love the interplay that is created between the refinements of the form and the spontaneously decorated surface. It contrasts the elegant with the organic. I am tight and at the same time loose.
The difficult part of making art, or for that matter, seeking the best outcome in any activity, is being able to recognize potential–the obscure as well as the obvious. Is it mold or penicillin? Seeing the potential is the genius.”